Marylebone

Downsizer's penthouse in a landmark Marylebone development.

A full turnkey service covering FF&E design, procurement and complete project management.


The Brief

A considered London base for a new chapter.

Studio Smiths was appointed to deliver the full FF&E design and procurement for a three-bedroom penthouse within 100 George Street, a landmark new development in the heart of Marylebone.


With their children grown and no longer living at home, our clients had recently sold their family home in Hampstead in favour of a more considered London base. Purchased off-plan, the 2,392 sq ft penthouse offered sweeping views and a pristine architectural shell, but little warmth or character of its own. The brief was to transform this blank canvas into a home with real depth and personality, somewhere a couple who travel often could return to and feel was instantly and unmistakably theirs.

Area 2,392 sq ft  | Design & planning 2 months | Execution 2 months

The Concept

A rich, layered palette built around vintage finds and custom craftsmanship.

Our concept centred on richness and patina, building a scheme that felt collected over time rather than newly furnished.

An antique Persian carpet, hand woven in Iran circa 1960, set the tone for the entire apartment, its purples, bronzes and champagne hues informing a palette of chocolate, blush and toffee throughout. At the heart of the living room sits a chocolate brown mohair velvet sofa with fringe detail, the client's must-have piece. Amid the room's layers of tone and texture, its solid, grounding presence holds the whole scheme together, anchored further by a hexagonal coffee table upholstered in Dedar's Mezzaluna fabric. Around ninety per cent of the furniture was designed and made bespoke, extending to a wall-to-wall headboard in gingerbread-toned velvet in the principal bedroom.

Vintage pieces were sourced to sit alongside the custom work, most notably a set of eight 1960s Danish dining chairs by H.W. Klein for Bramin, brought over from Denmark in rosewood and reupholstered in a coffee-toned leather with a soft, distressed patina. Rosso Levanto marble from Italy, Brazilian quartzite, burl, alabaster and satin brass added further texture and warmth, while the clients' own art collection was woven throughout, grounding the scheme in something personal rather than purely designed. Every material and finish was chosen not for how it would photograph, but for how it would feel to live with.

Recent Projects